The Anti DC: stuff on stage: Mike Daisey's The Agony and Ecstasy of Steve Jobs:
But seriously, this man was good. For a woman who still often thinks the phrase "killer app" simply means "I'm hungry," the fact that I didn't just enjoy The Agony and the Ecstasy of Steve Jobs, but vociferously loved it, says something about Mike Daisey's skill. Part humorist, part journalist and part storyteller extraordinaire, Daisey's performance hooked me from the beginning like a DC elementary school kid on crack.
I mean, this man made me care about technology. He made me care about why I use it, how I use it, how I'd feel if I didn't have it, how I feel because I do have it. This man made me care about how I feel about technology that doesn't even exist yet, technology that I don't even know I'll need (or at least feel like I need). Most importantly, he made me feel something about how it's made. (Surprise! It's all handmade by 12-year-old kids and not machines in Shenzhen, China.)
And while Daisey ended on a note of activism, handing out single sheets of paper containing Steve Jobs's email address among other things, his monologue never came across as naive. Clearly, he doesn't expect us to boycott Apple or any other technology firm (all of which, by the way, manufacture most of their products in the same way as Apple with kids in Shenzhen), but he does expect you now to think about this part of your life and become a more aware consumer human being.