Friday, May 09, 2014
Three huge shows in three great cities this month:
First, we bring AMERICAN UTOPIAS, my monologue of Burning Man, Disney World, and the Occupy movement to San Francisco at the Yerba Buena Center for the Arts for two nights only, May 16th and 17th. These are going to be huge shows, and my first return to the Bay Area in three years—hope you can join us!
Details and tickets
Second, I go to Toronto where I'll premiere DREAMING OF ROB FORD, a brand new monologue about Toronto's notorious mayor, as an environmental piece in an abandoned porno theater. That's just three nights only, May 21st to 23rd, and tickets are selling out.
Details and tickets
Finally, I'll present the very first performance of OUR MAN IN HAVANA, my new monologue about my journey to Cuba this spring and the world America has closed itself off to for just one night only at the Public Theater in New York City on May 27th.
Details and tickets
All these shows are likely to sell out, so use the links to get yourself tickets if you're interested. Starting later this spring look out for new episodes of ALL STORIES ARE FICTION, my podcast, which you can sign up for here.
Hope you are staying busy this spring,
Mike Daisey: Our Man in Havana
ONE NIGHT ONLY
May 27th at Joe's Pub in the Public Theater
Tickets and details
Mike Daisey travels to a mysterious world located just ninety miles from America—the island nation of Cuba, a world frozen in the American imagination and burned from our memories by embargoes and blockades, where communism still rules and a ballet dancer is paid the same as a surgeon or a farmer. Daisey brings his shrewd and scathing outsider’s eye to the gloriously decaying streets of Havana, using this changing landscape as a window to speak about the true legacies of American imperialism, and what it means for us to live today in a world that only recognizes capitalism and corporatism as a way of life. Both a ridiculous travelogue and a philosophical journey, Daisey’s monologue unearths the human connections between neighbors who can live so close and still refuse to speak.
Mike Daisey, hailed as “the master storyteller” and “one of the finest solo performers of his generation” by The New York Times, is the preeminent monologist in the American theater today. He has been compared to a modern-day Mark Twain and a latter-day Orson Welles for his provocative monologues that combine the political and the personal, weaving secret histories with hilarity and heart. This fall he performed a critically acclaimed 29-night live theatrical novel, All the Faces of the Moon, onstage at the Public in Joe’s Pub.
He has performed in theaters across five continents, ranging remote islands in the South Pacific to the Sydney Opera House to an abandoned theater in post-Communist Tajikistan. He’s been a guest on Real Time with Bill Maher, the Late Show with David Letterman, a longtime host and storyteller with The Moth, as well as a commentator and contributor to The New York Times, The Guardian, Harper’s Magazine, Newsweek, WIRED, Vanity Fair, Slate, Salon, NPR and the BBC. In a brief, meteoric career with This American Life, his shows are among the most listened to and downloaded episodes of that program’s nineteen year history.
He is currently at work on his second book, Here at the End of Empire, which will be published in 2015 by Simon and Schuster. He has been nominated for the Outer Critics Circle Award, two Drama League Awards, and is the recipient of the Bay Area Critics Circle Award, six Seattle Times Footlight Awards, the Sloan Foundation’s Galileo Prize, and a MacDowell Fellowship.
“The master storyteller—one of the finest solo performers of his generation.”
—The New York Times
—New York Magazine
“He embraces the insightful hostility of the best comedy.”
—The New Yorker
at 2:33 PM